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U.S. Audiences Draw a Clear Line on AI in Film and TV: Tools Are Fine. Replacing Humans Is Not.
U.S. audiences accept AI as a production tool but firmly reject its use to replace human actors and writers — a distinction Korean content companies must build into their contracts, disclosure standards, and creative strategy before the technology makes the choice for them.
Us TV Landscape Upended:The Nexstar–TEGNA $6.2 Billion Merger and Its Seismic Impact on K-Content
The Nexstar–TEGNA merger creates a single, politically backed local‑TV super‑buyer reaching 80% of U.S. TV homes, forcing Korea’s K‑content strategy to pivot from fragmented, station‑by‑station deals toward FAST‑centric, portfolio‑level partnerships with a handful of U.S. gatekeepers
Creators Are Rewriting the Newsroom
What the NBC News–Joanna Stern Deal Reveals About Legacy Media's New Survival Strategy — And What It Means for Korean Media Independent creators now negotiate with major newsrooms as near-equals — and legacy media's survival depends on designing partnerships that honor that reality.
The Storm Is Coming. Are You Ready? Amy Webb kills the 19-year-old trend report — and launches the age of Convergence
Amy Webb buried her 19‑year trend report at SXSW 2026 and warned that three convergences—human augmentation, unlimited labor, and emotional outsourcing—will lock in inequality, automate away human effort, and turn loneliness into a platform business.
YouTube Is Now the World's Largest Media Company— and K-Content's Strategic Map Must Change
YouTube has been crowned the world’s largest media company, with MoffettNathanson pegging $62B in 2025 revenue and up to a $560B valuation, as the Creator Studio Era begins and Hollywood and YouTubers converge in both directions
Korea’s Ruling Democrats Launch 2nd AI Power Committee, Tapping Prof. Samseog KO as Global AI Social Transition Vice Chair
Korea’s ruling Democratic Party has launched the AI Power Committee in its second term, uniting industry and social-policy leaders under a co‑evolution vision, with Prof. Samseog Ko spearheading the Global AI Social Transition agenda.
Paramount-WBD Merger Faces the Ultimate Antitrust Gauntlet
The Paramount‑WBD merger is a high‑stakes, debt‑fuelled bet to build a 210‑million‑subscriber streaming giant, but faces a protracted, four‑front antitrust battle and intense bipartisan political scrutiny before it has any chance of closing.
Spielberg Comes to Austin...SXSW 2026 Unveils Its Most Powerful Lineup in 40 Years — Spanning Film, AI, and the Rise of Food Tech
SXSW 2026 · 40th Anniversary Special Report From Spielberg’s keynote to GLP-1 health tech and food innovation, SXSW 2026 maps the next 40 years of entertainment, AI, and wellness at the world’s premier creative-technology convergence festival.
ByteDance vs Alibaba: The Lunar New Year AI Supremacy Battle
ByteDance and Alibaba are turning Lunar New Year into a full-scale AI arms race, launching rival LLM, video and image models while Seedance 2.0’s Hollywood copyright backlash and a projected $90 billion China AI cloud market underscore that this battle is about long-term platform power
[Samseog Ko's Insight]Seoul's Moment: Becoming the World's Global Entertainment tech Hub
Seoul must leverage its unparalleled convergence of K-Culture and digital technology to become the world's first truly inclusive Global EnterTechHub—transforming urban cultural power through AI, fandom economics, and co-evolution with global partners.
Viral AI Video of ‘Tom Cruise’ Fighting ‘Brad Pitt’ Triggers Hollywood’s Full-Scale War on ByteDance’s Seedance 2.0
Seedance 2.0, ByteDance’s new AI video model, has sparked a major clash with Hollywood after ultra‑realistic deepfake clips using famous actors and studio IP went viral, prompting formal condemnations and legal action from the MPA, Disney, and other industry groups.
Super Bowl LX Draws 124.9 Million Viewers, Ranks as Second Most-Watched in History
NBC’s multi-platform presentation of Super Bowl LX drew 124.9 million viewers under Nielsen’s new Big Data + Panel metric, becoming the second most-watched Super Bowl ever while sitting entirely behind Peacock’s paywall.