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We bring the entertainment tech industry, its people, and on-the-ground news to a global audience
FAST 2.0: Turning the 'Infinite Inventory Crisis' Into a Curation Opportunity
The U.S. FAST oversupply crisis is creating a rare window for “FAST 2.0,” and Korea — with K-content, AI, device power, and trans-platform plays like K-Channel 82 on Sinclair’s nationwide ATSC 3.0 network — is uniquely positioned to set the next global standard.
MS Now: "We Are Not Building Another Streaming Product"
MS Now (formerly MSNBC) has unveiled its post-Comcast spinoff playbook. President Rebecca Kutler told Axios on April 24 the network "is not building another streaming product" — the goal is "a really rich community."
Singapore’s IMDA and SBS Sign MOU for Global Co-Production and AI Media
Singapore's IMDA and SBS signed an MOU in Seoul on April 21 for global co-production and AI media collaboration, marking a strategic pivot for Korean content from finished-export to offshore co-production infrastructure, with execution details to be finalized at ATF Singapore in December.
Substack Recording Studio Opens Round Two of the Creator-Platform “Full-Stack War”
Substack's Recording Studio launch pushes creator platforms into a "full-stack OS" war — Substack, Patreon, Beehiiv and OnlyFans converge on the same feature set, even as valuations reprice from OnlyFans' $3.3–5.5B to Substack's $1.1B.
Netflix and Disney+ Escalate 2026 Battle for Korean Streaming Hits
Netflix’s 33-title Korea slate and Disney+’s fresh originals signal a bigger global fight for K-drama audiences in 2026.
Netflix's VOID Teaches Video Editing the Laws of Physics
VOID is Netflix’s open-source video editing AI that can delete objects and realistically rewind their physical interactions, signaling a shift in virtual product placement from 2D overlays to full scene regeneration
CES 2026 Puts Korea’s Entertainment Technology in the Global Spotlight
At CES 2026, Korean innovators used AI, robotics and immersive media to show entertainment technology is becoming a major global growth story.
Korean Creators Rebalance Monetization Across YouTube, TikTok, Instagram
As platform payouts diverge, Korean creators are building multi-app revenue strategies across YouTube, TikTok and Instagram.
AI Chatbots Emerge as the New Center of Gravity for Media
From Tubi's ChatGPT-native streaming app to Beehiiv's MCP integration, AI chatbots are emerging as a new distribution layer across media — signaling that the next content war will be won or lost inside a natural-language conversation.
BTS Reclaims Its Throne With the Transmedia Rollout of ARIRANG
BTS erased two years of military absence with a masterclass in transmedia marketing — pairing ARIRANG with a Netflix concert stream and documentary to drive 739.1 million global ODA streams in week one, setting a new benchmark for K-pop album campaigns.
Brazil Opens the Stage, Korea Changes the Game.
Brazil declares the TV 3.0 era at NAB Show 2026 as Korea's K-Channel 82 launches on Sinclair's ATSC 3.0 network — opening the first direct, OTT-free route for K-content to American living rooms.
Washington Steps Into the NFL's Rights War
As the league demands 50% more from its media partners, the DOJ and FCC fire back — and sports viewership becomes a political flashpoint