Special Opinion
AI·스트리밍·미디어·창업·크리에이터 경제에 대한 전문가들의 시각을 전합니다. / Expert perspectives on AI, streaming, media, entrepreneurship, the creator economy and more.
[Samseog Ko's Insight]SXSW 2026 and the Ascent of Entertainment Technology
Culture‑tech power—the tight fusion of creative ecosystems, fan networks, and advanced technologies like AI—is rapidly becoming the decisive axis of 21st‑century global competition, reshaping how nations build influence, design policy, and position themselves in the world.
[Samseog Ko's Insight]Why "Coevolution"? — From Content Export to Ecosystem Building
K‑Culture, K‑Brand, and K‑Tech must coevolve into an open, ethical, AI‑powered ecosystem so that the next Korean Wave becomes a shared global development model rather than a one‑way content export.
[Samseog Ko's Insight]Co-Evolution, Not Competition: A Strategy for Korea-Malaysia Content Industry Partnership
Malaysia’s 2030 “Global Digital Content Hub Nation” strategy, as proposed by Mr.Samseog Ko, envisions Malaysia as a Southeast Asian base for digital content and AI that co-evolves with Korea through joint IP development, co-production, and market expansion.
CBS News in Turmoil: Bari Weiss's 'Think Like a Startup' Gamble
CBS News is undergoing a high-stakes overhaul under Bari Weiss, whose aggressive bid to reinvent the network as a “21st‑century, best‑capitalized media start-up” has triggered sharp ratings declines
Prof. Ko Proposes Korea-Malaysia-US Triangular Cooperation in Content Industry
Prof. Samseog Ko of Dongguk University visited Kuala Lumpur from January 26 to 28, 2025, met MITI Deputy Minister Sim Tze Tzin, and proposed Korea-Malaysia-U.S. triangular cooperation in the content industry.
Minor League Ballparks Emerge as New Stages for K-Content in Mid-Sized American Cities
Real estate billionaire Herb Simon offers 20-year commitment and $40 million investment to acquire publicly-funded Greater Nevada Field Proposal highlights minor league ballparks' rising status as urban revitalization anchors across America
[스페셜 오피니언]CES에는 왜 이토록 많은 아시아 기업과 방문객들이 모이는가?
20년 넘게 CES를 찾은 윤기웅 학장은, CES를 단순 전시회가 아니라 드론 수업·스타트업 탐색·한·미 네트워크를 잇는 ‘연초 전략 기지’이자 리노·네바다에 주어진 세계적 자산으로 바라본다. 한국은 800여 전시 기업과 연 1만4천 명 규모 방문객이 모이는 압도적 존재로, 대기업·스타트업·공무원·학생이 함께 CES를 서구 시장 진출과 공공·교육 혁신을 위한 집단 학습의 장으로 활용하고 있다는 점이 핵심 메시지.
[Special Opinion] Why are so many Asian companies and visitors at CES?
For a Nevada-based professor, CES has become a New Year launchpad that fuels teaching, research, and long-standing Korea–U.S. networks
[오피니언]저널리즘 교수가 CES에 가는 이유: 하드웨어의 숲에서 '미디어의 미래'를 읽다
윤기웅 네바다주립대 저널리즘 스쿨 학장, 저널리즘 학자 시선으로 CES 2026 현장에서 GPU·5G·VR·AI가 만들어 갈 ‘스토리텔링 엔진’의 진화를 추적. 윤 학장 넥스트 K-웨이브 포럼에서 AI·XR·몰입형 미디어와 K-콘텐츠가 이끄는 글로벌 엔터테인먼트 미래를 놓고 세계 전문가들과 머리 맞대.
[Column]Why a Journalism Professor Goes to CES: Studying the Engines of Storytelling
Engineers Build the Tools, but Creators Shape the Future of Media. Why AI at CES 2026 Signals a New Phase in the Age-Old Dance Between Technology and Content. Professor Yun Reads the AI Era Through the Lens of Gutenberg, Television, and K-Content’s Global Rise
[Samseog Ko's Insight]CES 2026: A Launchpad for Korea's Vision to Become a Top 3 Global AI Power
Why "Innovators Show Up" Signals a New Era of Accountability in Tech—and What It Means for Korea's AI Ambitions .Korea's AI Action Plan Meets the World Stage: Seizing CES 2026 as a First Mover Moment
[Samseog Ko's insight]The Future Competitiveness of TV Industry: Why Vertical AI?
What Disney’s OpenAI Deal Means for Korea’s Broadcasters. From Disney’s AI Gamble to K-Broadcasters’ Next Move