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K-Culture

K-콘텐츠·K팝·드라마·웹툰·푸드·뷰티 등 한류의 해외 확산을 다룹니다. / Korean content, K-pop, drama, webtoon, food and beauty going global.

articles
[Samseog Ko's Insight]BTS Is Home. Now Comes the Harder Work.
Special Opinion

[Samseog Ko's Insight]BTS Is Home. Now Comes the Harder Work.

Korea’s next challenge is to evolve from a content powerhouse to a true “entertainment tech” cultural ecosystem—integrating infrastructure, inclusiveness, AI, and city strategy—so that K‑culture’s global success is matched by the world it is experienced in.

Samseog Ko · 3월 20, 2026
[Samseog Ko's Insight]SXSW 2026 and the Future of K-Content
Special Opinion

[Samseog Ko's Insight]SXSW 2026 and the Future of K-Content

SXSW 2026 shows that the future of Hallyu will be decided not just by great K‑content but by Korea’s ability to build an AI‑driven EnterTech ecosystem that integrates platforms, fandom communities, and immersive experiences at global scale.

Samseog Ko · 3월 16, 2026
'K팝 데몬 헌터스', 아카데미 장편 애니메이션상 수상… "이것은 한국과 전 세계 한국인을 위한 것"
Entertainment tech

'K팝 데몬 헌터스', 아카데미 장편 애니메이션상 수상… "이것은 한국과 전 세계 한국인을 위한 것"

넷플릭스 역사상 가장 많이 시청된 영화 'K팝 데몬 헌터스(KPop Demon Hunters)'가 지난 일요일 열린 아카데미 시상식에서 장편 애니메이션상을 수상

Jung Han · 3월 15, 2026
YouTube Is Now the World's Largest Media Company— and K-Content's Strategic Map Must Change
Creator Economy

YouTube Is Now the World's Largest Media Company— and K-Content's Strategic Map Must Change

YouTube has been crowned the world’s largest media company, with MoffettNathanson pegging $62B in 2025 revenue and up to a $560B valuation, as the Creator Studio Era begins and Hollywood and YouTubers converge in both directions

Jung Han · 3월 12, 2026
K-FAST 2.0 Strategic Deep Dive Escaping the Subtitle Trap:How K-Content Can Conquer the American Living Room
Streaming/Fast

K-FAST 2.0 Strategic Deep Dive Escaping the Subtitle Trap:How K-Content Can Conquer the American Living Room

K-content's FAST failure isn't a content problem — it's an audio tag problem: swap [Audio: Korean] for [Audio: English] through AI dubbing, curate only your top 5% hero IP, and run a YouTube community flywheel to feed a FAST channel that actually earns premium CPMs.

Jung Han · 3월 1, 2026
K-FAST 2.0 전략 분석: 자막의 덫에 빠진 K-콘텐츠,미국 거실을 점령하려면 더빙이 답이다
Streaming/Fast

K-FAST 2.0 전략 분석: 자막의 덫에 빠진 K-콘텐츠,미국 거실을 점령하려면 더빙이 답이다

K-FAST 2.0 전략 분석 한줄 요약: 게빈 브릿지(FASTMaster Intelligence)가 K-EnterTech Hub 웨비나에서 밝힌 바, K-콘텐츠 미국 FAST 60% 폐쇄율·$4 CPM의 자막 함정 극복을 위해 AI 더빙(월 $70·4-6시간), 상위 5% 히어로 IP 버티컬 채널, YouTube 24/7 라이브→FAST 프리미엄 CPM $15-22+ 플라이휠, 미국 86% 수익 독식 현실을 직시한 3단계 실행 로드맵 제시.

Jung Han · 3월 1, 2026
Korean Deep-Tech Enters Nevada: From Tourism Visits to a Year-Round Settlement Platform
Media Policy

Korean Deep-Tech Enters Nevada: From Tourism Visits to a Year-Round Settlement Platform

K-EnterTech Hub and The Way Company signed an MOU with Nevada’s EDAWN to run the “K-Nevada Bridge” program, helping Korean deep-tech firms enter Reno’s fast-growing AI and advanced manufacturing hub as a zero-tax, lower-cost alternative to Silicon Valley.

Jung Han · 2월 15, 2026
When Cooking Became Entertainment: The Future of K-Food Content
Creator Economy

When Cooking Became Entertainment: The Future of K-Food Content

Streaming has turned 60 years of food TV evolution—from Julia Child to Food Network, Chef’s Table, mukbang, and Culinary Class Wars—into a truly global business, where local food stories become worldwide IP that can move real money, reshape fine and help push K‑Food exports to record highs.

Jung Han · 2월 13, 2026
요리가 엔터테인먼트가 된 시대, K스트리밍과 K-푸드가 열어갈 미래
Entertainment tech

요리가 엔터테인먼트가 된 시대, K스트리밍과 K-푸드가 열어갈 미래

"줄리아 차일드의 TV 요리 교육에서 시작된 음식 콘텐츠는 60년간 엔터테인먼트→경쟁→소셜로 진화. 넷플릭스가 로컬을 글로벌로 전환하는 엔진이 되면서 흑백요리사가 2년 연속 글로벌 1위를 기록하고 K-푸드 수출 136.2억 달러를 견인하는 등, 이제 음식 콘텐츠는 한류의 부수 효과가 아니라 스트리밍 위에서 작동하는 종합 산업 수출 모델

Jung Han · 2월 13, 2026
"Too Big, or Too Small" — A Century of U.S. Broadcast Ownership Rules at a Crossroads, and the Ripple Effects on K-Content and Korean Viewers' Rights
Media Policy

"Too Big, or Too Small" — A Century of U.S. Broadcast Ownership Rules at a Crossroads, and the Ripple Effects on K-Content and Korean Viewers' Rights

A high-stakes U.S. Senate showdown over the Nexstar–Tegna mega‑merger, Trump’s intervention, and AI disruption has exposed deep rifts over scrapping 100‑year‑old broadcast ownership caps

Jung Han · 2월 11, 2026
[Samseog Ko's Insight]The Age of AI That Acts on Its Own: CES 2026 Signals a Turning Point for Industry, Jobs, and K-Content Strategy
Local Tech: Global

[Samseog Ko's Insight]The Age of AI That Acts on Its Own: CES 2026 Signals a Turning Point for Industry, Jobs, and K-Content Strategy

Agentic and physical AI emerging from CES 2026 are triggering a structural shift in work, governance, and media, and Prof. Ko argues Korea must manage AI with human-centered global rules while pushing K-content into “co-evolution” partnerships with major U.S. studios like Sony and Netflix.

K-EnterTech Hub Newsroom · 2월 9, 2026
University of Nevada, Reno Builds a ‘University Hallyu’ Bridge with Korea
Local Tech: Global

University of Nevada, Reno Builds a ‘University Hallyu’ Bridge with Korea

UNR is forging a comprehensive “University Hallyu” partnership network with leading Korean universities, linking research, teaching, and industry to train next-generation media and tech talent across both countries.

K-EnterTech Hub Newsroom · 2월 8, 2026